Located in the south west of France, she benefited from her frequent excursions that enriched her experimentation with the mineral-plant relationship.

In the seventies, she began working with raku, a traditional japanese technique which she gave up to persue a more personnal process. During her travels ( Africa, Nepal, Greece …. ) she observed traditional habitats and became interested in the sign.

This leads her to integrate her work into building and to be concerned with problems of architecture in the search of a physical and aesthetic balance.

Then she composed panels which integrate her techniques.

It is possible to appreciate her work through exhibitions as well as articles

Discover her achievements and do not hesitate to contact Edouard Adjiman